Llewellyn Worldwide, Ltd.
View your shopping cart Shopping Cart | My Account | Help | Become a Fan on Facebook Become a Fan | Follow Us on Twitter Follow Us | Watch Us on YouTube Watch Us | Subscribe to our RSS Feeds Subscribe
Browse ProductsAuthorsArticlesBlogsEncyclopediaNewslettersAffiliate ProgramContact UsBooksellers
Advanced Search
LLEWELLYN JOURNAL
Article Topics
List of Articles
RSS Data Feeds
Mission Statement
Use of Our Articles
Writers' Guidelines

Email Exclusives
Sign up to receive special offers and promotions from Llewellyn.

Get the Latest Issue of New Worlds

September/October Issue

New Worlds Catalog

Get the FREE app for your tablet and mobile device. Now available in the iTunes Store and the Google Play Store

Also available as a PDF File.

Click for more information about New Worlds or to receive issues via mail.


The Llewellyn Journal
Print this Article Print this Article

The Old Bird Cage Theatre

This article was written by Carolyn Davis
posted under

On Allen Street in Tombstone, Arizona, "the town too tough to die," stands the Bird Cage Theatre, a combination brothel, gambling hall, theater, and saloon. Back in the 1880s, it was a favorite night spot for many of the West’s most legendary characters, including Wyatt Earp, Doc Holliday, and Bat Masterson. This one-stop sin shop was described by the New York Times as “the wildest, roughest, wickedest honky tonk between Basin Street and the Barbary Coast." This reputation was well earned: the Bird Cage was the scene for twenty-six deaths during its eight years of business.
Since closing its doors in 1889, laughter and music from another time still echo from the inside of the Bird Cage at night, its resident spirits caught in another dimension they often make visible to the living. 

Silver Boom
Prospector Ed Scheffelin’s discovery of silver in Goose Flats in 1877 brought white adventurers to the Apache-dominated land in the Arizona Territory. A soldier stationed at Brunckow’s cabin had warned Scheffelin: “The only thing you’re going to find out there foolin’ around amongst those Apaches is your own tombstone.” Scheffelin displayed his ironic sense of humor by naming his mining claim in Goose Flats the "Tombstone Mine," from which grew the infamous town.
Word of Scheffelin’s silver discovery spread quickly across the West and beyond, and crowds of fortune seekers came to the booming mining camp in Arizona, dreaming of the big strike. The town became a haven for outlaws, as federal marshals had no jurisdiction in Arizona at the time. Beneath the streets of Tombstone were countless silver mines, holding millions of dollars in riches. The population jumped to 15,000. Saloons and brothels, operating 24 hours a day, opened up all over town-101 saloons on Allen Street alone.
In 1881, the future Bird Cage Theatre was opened by William Hutchinson. First known as the Elite Theater Opera House, it had a short stint as a legitimate theater. The Elite had 14 “cribs”-small brothel rooms, furnished with only a bed and table. The cribs were suspended from the ceiling, seven on each side, and in these booths the ladies of the night plied their trade.
The name of the Elite Theater was changed after Arthur J. Lamb penned his famous melody, "A Bird in a Gilded Cage," while standing at the bar one night. Lamb was inspired while observing the ladies in the cribs, wearing feathers in their hair, and plying their male clients with champagne, kisses, and other favors of the trade. “They look like birds in a cage…they haven’t got a chance,” Lamb remarked. He gave the song to Lillian Russell, who premiered it onstage at the Elite. The crowd begged for eight encores. Each performance of the song moved the ladies of the evening to tears. “A Bird in a Gilded Cage” became one of the most popular songs of the nineteenth century, and William Hutchinson was inspired to change the name of his club to “The Bird Cage Theatre.” 

A Wild, Swingin’ Bird
The Bird Cage Theatre operated 24 hours a day, seven days a week-even on holidays. The notorious Doc Holliday was known to deal a game of faro at the theater occasionally. The longest running card game at the Bird Cage was a poker game that was played 24 hours a day, for eight years, five months, and three days. The game had a minimum buy-in of $1000. 
A total of 10 million dollars changed hands during the poker marathon, and the house took ten percent. Doc Holliday, Bat Masterson, Diamond Jim Brady, and entrepreneurs such as Adolph Busch, and George Randolph Hearst, all participated in the eight-year game at one time or another.
The Bird Cage was a wild and untamed place, not for the weak of heart. During its eight years in business, 16 gun and knife fights took the lives of 26 people. The walls, floors, and ceilings of the Bird Cage are still riddled with bullet holes, a silent testament to its violent past.
During the latter part of the 1880s, ground water began to flood the silver mines of Tombstone. Men worked night and day in a hysterical frenzy to pump water out of the mines, to no avail. With their treasures still buried deep within, one by one the silver mines closed. Silver prices became depressed, and people began leaving Tombstone.
Without the silver mines to fuel the town’s economy, it eventually became impossible to keep the doors of the Bird Cage Theatre open. On Christmas Eve, 1889, William Hutchinson reluctantly shut down the theater. Hoping, perhaps, to reopen in a few months or years, he left all the fixtures intact as he boarded up his club. As it turned out, the building sat abandoned for 46 years.

Haunted Palace of Sin
The first rumors of supernatural activity at the old Bird Cage began to surface in 1921, when a high school was built across the street for Tombstone’s few remaining residents. School children began to report hearing laughter and music, and smelling stale cigar smoke from the inside of the abandoned building. Many were afraid to walk near it on their way to school.
In 1934, the Bird Cage Theatre was reopened as a tourist attraction by the Hunley family. All of the furnishings and artifacts sealed inside were kept in their original state-even the coin-operated music box still works. The theater is currently owned by Bill Hunley, the fourth generation in his family to run the theater. The Hunley family has done an excellent preservation job-the original wallpaper and red velvet draperies still hang in the brothel cribs, and the grand piano still stands unmoved from the position it held in the orchestra pit over a century ago. The Black Mariah, the funeral carriage that was used from the late 1800s to early 1900s to carry the deceased to Boothill, now rests upon the Bird Cage Theater’s hand-painted stage. But some of those individuals carted off by the Black Mariah have returned for another round. As the owner and many locals will tell you, the Bird Cage’s 26 murder victims remain, and continue their social rites from another time, as if unaware that they have passed on.
Hunley himself has experienced bizarre, poltergeist-like activity inside the theater. The most significant of his paranormal experiences occurred one morning about a decade ago. A dice table weighing several hundred pounds was somehow moved the night before, while the theater was vacant. It was placed in front of a door featuring a sign reading: “Don’t Disturb Our 26 Resident Ghosts.” The table appeared to have been levitated over a craps table. It took eight men to move it back to its former position.

Extradimensional 
Poker Games
Poltergeist activity runs rampant at the Bird Cage, and Bill Hunley has many stories about things from another time suddenly materializing.
Once, a valuable antique poker chip, missing from a gaming table for years, inexplicably and mysteriously reappeared in its former place. After finding the chip, Bill Hunley locked it away in a bank vault while awaiting the arrival of Western scholars to authenticate it. When the scholars arrived, Hunley was greatly chagrined to find the chip had disappeared again. He searched frantically for it, without any luck. Later, after the disappointed scholars had left, the poker chip materialized in a locked desk drawer.

No Rest for Wyatt Earp
Several years ago, a Native American artist created a statue of Wyatt Earp that was placed in one of the cribs that overlook the main room of the Bird Cage. These cribs are screened off, so that no one can disturb the fragile artifacts inside. Over a period of about six months, Earp’s hat was continually knocked off and thrown out into the casino-sometimes for several days in a row. At one point, the statue of Earp was turned completely around.
This activity continued until Hunley was informed by a local historian that the crib in which Earp’s statue was displayed was the same crib that the Clantons rented when they came to the Bird Cage. Billy Clanton, an enemy of the Earp brothers, was shot and killed by one of them at the OK Corral, just a quarter mile from the Bird Cage. After learning this, Hunley had the statue moved (in respect for the Clantons) to the crib Earp frequented while he was alive. After this, the poltergeist activity ceased.

Stogie-Chompin’ Spooks
In the basement of the Bird Cage, there is a high-stakes poker table and a few bordello rooms where the high-priced call girls plied their trade. Once, a perfect cigar ash was found near the basement poker table-after the floor had been swept clean and the door locked for the night. Near the ash was a burned antique match, of a type manufactured in the late 1800s. Coated with a lacquer to keep it burning long enough to get a cigar going, it was the kind of match a high roller would have used in that era. These matches today are considered extremely valuable, and not something that would be burned and thrown away.
Employees of the Bird Cage Theatre have also reported unusual or bizarre happenings over the years. Often, when the coin-operated music box is opened, it will smell of cigar smoke. Quite frequently, smells of cigar smoke will waft through the building when no one has been smoking. Sounds of laughter and music from a bygone era are often heard. Many people, including tourists, have heard the faint sounds of a woman singing to old-time music. Though the voice is clear, the words of the song are not. There have also been many reports of a phantom stagehand who walks across the stage wearing a visor and carrying a clipboard. 
Many employees admit they are afraid to be alone in the theater at night because of the abundance of spirit activity. One employee reported that after the Bird Cage had closed for the evening, he turned off the central sound system for the building, and went down into the basement with another employee. They went inside one of the bordello rooms-the same room where Wyatt Earp had a steamy affair with high-priced courtesan Josephine Marcus (a.k.a. "Shady Sadie"), while he was still married to his second wife, Mattie. Once the two employees were inside the room, an unintelligible voice came over the sound system, which then began blaring the song “Red River Valley.” 
The two frightened employees were the only living people inside the building that night. One of them stated: "You never want to be in here after nine o’clock at night, that’s when stuff really starts happening."

Window to the Wild West
The most common story about the Bird Cage Theatre is being able to hear music, laughter, smelling cigar smoke, and whiskey, all coming from inside the empty building at night. Ghosts of old gamblers still place their bets at the faro table around midnight, and you can hear the clinking of glasses, shuffling of cards, and rolling of poker chips.
Some people who have peered through the front windows at night have seen a spectral vision of the Bird Cage in the 1880s. These visions of another time include apparitions of old-time people dancing, sitting at tables, and listening to music. These apparitions laugh and make merry as if the silver days of Tombstone had never come to an end. It comes as a shock to realize that the theater and main floor of the Bird Cage, as they are today, are no longer visible through the front windows, or any other windows in the building. A dividing wall has been built between the front bar and main floor of the theater. Back in the 1880s, this wall did not exist-you could see the entire main floor from the front windows. The fortunate individuals who witness these apparitions are given a rare, realistic glimpse into Tombstone’s illicit past.
The Tombstone Epitaph, the local newspaper since 1881, has reported many ghost sightings in the area, and also at the Bird Cage Theatre. In a recent report, the Epitaph stated that the son-in-law of one of the employees of the Bird Cage became spellbound by a baby coffin on display in the theater’s museum. He saw that the coffin was vibrating, and shot twelve rolls of film of the incident, but none of the pictures came out. (See the website http://journalism.arizona.edu/epi/990924/birdcage.html for an article on the Bird Cage Theatre.)
It was reported that some of the paranormal researchers who have come to the theater in hopes of studying the ghostly phenomena inside have ended up leaving in the middle of the night, saying that the place is just “too active.”
As you walk through the doors of the Bird Cage Theatre, you are transported back in time and filled with the sights and smells of a distant era. In its days of operation, there were few pleasures it failed to provide, and, perhaps because of this, it retained a hold on many of its patrons forever. The Bird Cage Theatre is considered by the locals to be the most haunted place in Tombstone, which is very impressive, considering the fact that the entire town is full of restless spirits.
The Bird Cage Theatre is open to the public year-round, from 8:00 a.m. to 6:00 p.m. daily. It is highly recommended for those who have an interest in witnessing ghostly phenomena.


Please note that the use of Llewellyn Journal articles
is subject to certain Terms and Conditions

I am often asked how I catch some of the most incredible evidence ever captured on a battlefield. It is relatively simple, but many people are not willing to do what is necessary to capture a paranormal event. If, however, you are one of those rare individuals who not only want to experience the paranormal, but capture it—read on! As a means of... read this article
Gettysburg: Beyond a Shadow of a Doubt
Celtic Tree Magic: 6 Ways to Work with Sacred Trees
Ritual: Thelemic Refuge
The Dark Side of Your Moon
3 Ways (Yoga Included!) To Shift Your Body Image

Most recent posts:
Lost Souls
Readers, please enjoy this guest blog post by Patrick Burke, co-author of the new Ghost Soldiers of Gettysburg. As an expert on battlefield and...

Samhain Thoughts...
Readers, please enjoy this guest blog post by Sonja Sadovsky, author of the new Priestess and the Pen. The wheel turns, and another Samhain is...

Empowering Readings, part 1
When someone asks “what if” they are usually worried about the outcome of something they are considering doing. They may be looking for assurances...





Llewellyn's 2015 Astrological Calendar Llewellyn's 2015 Astrological Calendar
82nd Edition of the World's Best Known, Most Trusted Astrology Calendar

By: Llewellyn
Price: $14.99 US,  $16.99 CAN
Llewellyn's 2015 Witches' Datebook Llewellyn's 2015 Witches' Datebook
By: Llewellyn
Price: $10.99 US,  $12.50 CAN
Llewellyn's 2015 Witches' Calendar Llewellyn's 2015 Witches' Calendar
By: Llewellyn
Price: $13.99 US,  $15.95 CAN
Llewellyn's 2015 Daily Planetary Guide Llewellyn's 2015 Daily Planetary Guide
Complete Astrology At-A-Glance

By: Llewellyn
Price: $12.99 US,  $14.95 CAN
Llewellyn's 2015 Moon Sign Book Llewellyn's 2015 Moon Sign Book
Conscious Living by the Cycles of the Moon

By: Llewellyn
Price: $11.99 US,  $13.95 CAN