The Fourth Book of Occult Philosophy, by Henry Cornelius Agrippa and unnamed others, is considered one of the cornerstones of Western magic, and the grimoires it contains are among the most important that exist in the Western tradition. For more than three hundred years, this mysterious tome has been regarded as difficult or even impossible to understand—until now.
Occult scholar Donald Tyson presents a fully annotated, corrected, and modernized edition of Stephen Skinner’s 1978 facsimile edition of the original work, which was six tracts published as one volume in 1655. For the first time, these classic works of Western magic have been rendered fully accessible to the novice practitioner, as well as occult scholars and skilled magicians. Tyson presents clear instruction and practical insight on a variety of magic techniques, providing contemporary magicians with a working grimoire of the arcane.
- Astrology - History - Geomancy - Ceremonial Magic - The Nature of Spirits, Angels, and Demons - Geomantic Astronomy - Necromancy - Invocation and Evocation of Spirits
King James I of England came to be one of the more prominent prosecutors of "witch mania" beginning in Scotland and Denmark in 1590. Believing that persecuting witches under the law would grant him protection from their "black magick," James took on a great role in the interrogations and prosecution. His book, Demonology, was written with the aim to "educate" others on the evils of witchcraft and the supernatural. While being a difficult subject matter for many to broach, Donald Tyson has revisited this important work and made it approachable and understandable as The Demonology of King James I.
In my book, Modern Magick, I gave a brief introduction to one of the most important people in the history of magick, Dr. John Dee (1527–1608 or 1609). More than a magician, Dee was also one of the most interesting and fascinating figures of the Elizabethan Age. When he died, his home in Mortlake (a district of London on the southern bank of the... read this article
